Haha, thank you for the comment, I'm glad you liked it.
This tends to be how I see Bianchi, though I was worried I may have been writing her a bit too tragically. But cute are sad aren't mutually exclusive things, even if they seem to be rather contrasting perceptions, so that does make a lot of sense.
The toxic paint thing is brought up in the story, as part of Bianchi's whole poison dominion. That part isn't very realistic, no, but I figure that if normal things could turn to poison under Bianchi's touch, why not the opposite for actual toxic materials? This is the part of the spectrum which Bianchi has the most control over and it makes her braver to interact with the unfamiliar through that. It's not strange to notice, it was kind of a plot point. (Also lead actually has a very sweet taste to it, which was a problem back when it was commonly used in households.)
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This tends to be how I see Bianchi, though I was worried I may have been writing her a bit too tragically. But cute are sad aren't mutually exclusive things, even if they seem to be rather contrasting perceptions, so that does make a lot of sense.
The toxic paint thing is brought up in the story, as part of Bianchi's whole poison dominion. That part isn't very realistic, no, but I figure that if normal things could turn to poison under Bianchi's touch, why not the opposite for actual toxic materials? This is the part of the spectrum which Bianchi has the most control over and it makes her braver to interact with the unfamiliar through that. It's not strange to notice, it was kind of a plot point. (Also lead actually has a very sweet taste to it, which was a problem back when it was commonly used in households.)